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Cjw's avatar

I agree about popular music, certainly. In the past you had two things forcing those decade-bound characteristics on it, technology and culture/marketing.

Tech (including production and player skill and instrumentation) was always evolving. Even in the days before mass culture was popular that was true, certain horns couldn't play in certain keys easily, instrument quality affected the ability to perform certain types of parts, and over the centuries technology kept enabling more options. It feels like all the low-hanging fruit was picked there by the 1990s, and today you can piece together music 100% digitally with sound samples, the "instruments" effectively don't even HAVE a limit on their pitch range, you can even apply an algo that gives the start of notes a very minor random variance across parts to approximate the less-precise sound of human players. There are very very few constraints on what sounds you can produce now as the creator, the only real limits are the human audience's biological ones. It's a "solved" game.

But culturally, music was limited by how far it could be distributed and how much attention it could get. That affected what innovations could occur in your local music scene (which lasted at least through the 70s, there used to be substantially local variance in radio catalogues and more regionally-popular bands.) And in the mass culture era of the last 100 yrs, there's been need to update it to appeal to new generations-- not only because teens thought newer was cooler, but you need to sell new records, teens buying the back catalogue at second-hand stores doesn't make producers money. Different sounds were pushed as cool to different groups of teens. But it's just completely stagnated now, because instead of a bunch of suits in Detroit or LA or NYC deciding this, it's faceless algorithms. They have no need to push a different sound, the algos will keep everything within a certain band and relentlessly optimize them. They can just find a marketable face and slap it on the same junk everyone else is making, because teen girls care about the person more than the sound as long as it falls within that very simple range, so every act is an ever more soulless corporate version of the Monkees. They can do literally anything the mind could conceive of with current technology, even from a basement at 3AM alone with no assistance, and they market endless variations of "hot girl summer r&b/pop song" and "defiant girl who is totally over her ex-boyfriend, but in a minor key piano sorta way".

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